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'The Last Exorcism' may offend those with strong religious backgrounds, as those who believe in exorcism will find their views openly mocked, as the good reverend reveals his tricks to the trade. Granted, no exorcism performance will ever match the Academy Award nominated turn by Linda Blair, but Bell does create an innocent, naive character, and most importantly, a believable one.
Of course, there would be no story here without the possession, and that's where Bell shines. His mannerisms and amazing vocal talents are only bested by his conviction in the role, where he truly becomes Cotton (which was the original title of the film).
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'The Last Exorcism' features a man of God, a man who we should all trust, revealing his less-than-honest ways, falling victim to his own hubris.įabian, a TV show bit character mainstay for most of his career, moved past his character actor origins to truly make this film his own.
It doesn't feature characters professing their levels of fears, as if they're trying to convince us more than they are themselves. It doesn't feature much of the annoying out of focus, running through the woods/streets shots that have plagued similar features. Strangely enough, though, the blend of inspirations and ideas blends together to create what I feel is the big brother of the "found footage" film family, a film that transcends the "last moments of so-and-so, for you to watch" origins, due to the terrific performance of its lead actor, and the strength of the writing for his role. 'The Last Exorcism' is a mixture of voyeurism, faux documentary, horror film, and, in a sense, parody. After his trickery fails to solve the problem, and the constant interference of the creepy, controlling Louis Sweetzer (Louis Herthum), Nell's father, only makes matters worse, Marcus must come to grips with his own beliefs before he lets another child be taken. Marcus hates working with kids, due to his past failure, but has no choice after his arrogance brings him to the Sweetzer farm to help Nell (Ashley Bell), a 16 year old girl who has been slaughtering her family's animals. He has a cameraman and assistant (Iris Bahr) on hand as he goes out to film one final exorcism, revealing all the misleading practices, devices, and gimmicks he's used over the years, but what he thought was a simplistic case of an overbearing father turns out to be something more: an actual demon possession. He's a showman, and a damn good one, too, who knows all the tricks of the trade, and knows a thing or two about all the various "possessions" out there, and why people can't see that their illiteracy, ignorance, and extreme belief is the cause of the various "demons" they encounter. Marcus has lost his faith, in a sense, after his entire life's purpose of being a pastor cost a young boy his life in a botched exorcism. Actually, he's quite literally a hypocrite. Cotton Marcus (Patrick Fabian) is not your ordinary man of God. What it does do, though, is blend enough familiar elements to create a fun experience that can be quite effective.up until the moment the ending makes the entire thing seem like a bloody joke, a cruel hoax. It doesn't bring much creativeness to the table.
'The Last Exorcism' doesn't redefine the horror genre, or the religious horror sub-genre. ' The Exorcism of Emily Rose' may be one of the few other mainstream films to depict the battles between exorcists and demons, but it really failed to hit the mark and resonate. 'Stigmata' and ' The Order' are both damn poor films, even if there is a fun bit here and there, while dreck like ' Legion' makes us yearn for a holy apocalypse to prevent future garbage of the sort from being created. There aren't many films out there like it, and most religious horror films fail to hit the mark, in my eyes, often creating films that are memorable only due to how uneventful and, ironically, forgettable they are. 'The Exorcist' (at least, the original theatrical version) is an amazing piece of "horror" cinema, one of the defining films for the genre. Nothing I said above was at all truthful.
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You've seen ' The Exorcist,' right? You know, that fun little childhood favorite where demonic possession is portrayed like a walk in the park, full of awful acting, horrid dialogue, and a lack of a real sense of terror or fright?
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